So, lets talk about Benedict Patrick’s ‘They Mostly Come Out At Night’. It’s the first book placed in
the ‘Yarnsworld’ setting, which now contains three separate standalone novels. Having
sped through this one, I can safely say it was an entertaining read, that it
made me think, and that it inspired me to seek out the other books in the same
setting.
Speaking of which. The setting here is at once broad and
limited. Most of the action takes place in and around a forest, an entity
implied to have presence over a large geographic area. And it abuts
neighbouring kingdoms, themselves geographically distinct. As in a fairy tale
though, this is just the forest. It’s a backdrop to the culture, lives and
loves of our protagonist(s). In the forest sits a village – itself one of a
series of settlements. And somewhere out of sight, somewhere in the forest and
away from the villages, sits a castle. This is a world which carefully evokes
that fairytale certainty of place, but also one which puts something of a spin
on it. The villagers are bucolic enough, but they fear attacks from mysterious
entities in the night, protecting themselves with underground shelters. The
castle isn’t the delicately spired confection of modern stories, but a
buttressed fortress. The forest is a dark, brooding, wild thing, and within it
lurk monsters.
It’s also a place where stories have power. Between
chapters, we’re treated to scraps of folklore, tales from the world. These give
the reader a nicely mythic context for current events, shaping the story into
one which fits into prior narratives. It’s a clever device, and one which made
learning more of the background a delight, rather than drudgery.
The sense of myth and tale is evoked intentionally with the
characters, too. Some are personifications – the Wolves, seemingly slavering
beasts. The Magpie King, a cloaked, masked, super-human monstrosity which
protects the villages from the Wolves, and expects tribute in return. These are
ideas given form; here though they have enough agency to make them some
combination of frightening and fascinating.
There are others though. Adahy,
child of the Magpie King, uncertain of his destiny, of his calling to be the
monster people demand, sits in the shadow of a father with an iron will. And
Lonan, a young man who lives in the liminal area between family and outcast in
one of the villages. Both give us more humanity than monstrousness, though both
carry their own flaws. Adahy is compassionate, thoughtful and a worrier – but
also often unthinking of his privilege or the effect he has on the world. Lonan
is bitter, caustic, driven to the social margins by a close-knit community that
feels he’s done them a great wrong; but he’s also driven, determined, and
willing to do what’s right. They’re a complex pair, and even more so when
rounded out by the supporting cast. Particular points for Lonan’s mentor, whose
non-nonsense attitude when dealing with his drama made her a brilliant read,
and Adahy’s ex whipping-boy, a young man willing to risk a lot for his friend,
and whose own intelligence and back and forth with Adahy make him a likable
fellow to run alongside.
The gut of this is, there are people here, and monsters, and
the story wants us to see not only which are which, but that it’s possible for
one to transition into the other. This is a story of how monsters do mostly
come out at night. Mostly It’s got a lot going on, within the cantic rythms of
a fairy tale. There’s betrayal, blood, vicious fights for survival. There’s
love, and revenge, and hatred. It hits a lot of the right emotional notes, and
I was quickly invested in where the characters were going, physically and in
terms of growth, and who they would become when they got there. This has the
whip-crack fas-paced action that keeps you turning pages, sure, but it’s
wrapped around some thoughtful, convincing character work – and the folktale
lilt of the prose makes it an easy read, even if some of the content is more
gruesome than Grimm.
Is it any good though? Yes, I’d say so. As a story, it will
pull you into its dark corners, looking for salvation from wolves and monsters,
while speaking about the larger human truths of love and vengeance and dripping
blood on the forest floor. This is a story which is hard to put down, where you
want to see how it ends. It’s a great start to a series, and I look forward to
seeing where the next Yarnsworld book takes us.
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