Restless Lightning is the sequel to last year’s ‘Valiant Dust’, a military sci-fi story which took the time to explore some socio-cultural issues in between blowing stuff up. The sequel takes us to whole new worlds, but keeps that attachment to broader themes which made Valiant Dust so interesting. It’s happy to talk to you about life and love in a space navy, but it also wants to talk about cultural homogeneity, stasis, and the struggle to retain identity in the face of a cultural conquest. The story also, to be fair, wants to blow some stuff up.
Sikander North is still the protagonist – the scion of a rich and powerful family, but one whose world was recently appropriated into a cross-system federation relatively recently. Egalitarian as the Aquilan Federation claims to be, its members tend to come off as confident in their own superiority, and Sikander left to prove himself as not being a second-class citizen. This exploration of the idea that even the ‘good’ guys have their blind spots – so assured of their own truths that they don’t often question them – is welcome. It also lets us see Sikander, a son of privilege in the extreme, in a more positive light. As an outsider, he struggles against social and cultural expectations even from his own position, highlighting the woes of those below.
From a character standpoint, Sikander makes for an interesting protagonist. Alongside his difficulties integrating with an imposed culture lives a man who wants to do the right thing. A hero in the classic mould. If his relationship with his superiors is a complex, often tumultuous thing, his sense of right and wrong is not, or his sense of duty. Doing What’s Right has defined Sikander up to now, and it’s nice to see that extended here, even if there are consequences to be had, or indeed, different definitions of what’s right.
Which brings us to antagonists. I shan’t spoil it, but was immensely pleased to see time given to Sikander’s antagonist as a viewpoint. As an individual, they appear to be making difficult, painful choices, and even when some of them were awful, and others disagreeable, you could see the path taken to get there. In a different story, perhaps, the villain would become the hero. It’s a wonderfully nuanced portrayal of an individual acting within their own bounds to serve what they thing of as a necessary goal – as, after all, no-one is a villain in their own story. It’s here the text excels, giving us an antagonist wo is themselves thoughtful, idealistic and determined to do the right thing – by their own lights. The complexity is appreciated, and gives some added depth in between the compelling action sequences.
This is a story which asks questions of its readers. When is social and cultural capital a weapon? How far can you stretch soft-power? What are the ramifications of economic warfare, and can you push people far enough that they’re willing to act in their own worst interests just to make it stop? These are big questions, woven seamlessly into the narrative tapestry. There’s some answers floating around in there too, though I think as a whole the text embraces the show, not tell, philosophy.
That said, this isn’t entirely (or even mostly) a book of meetings about trade. There’s enough hull metal and big guns floating around to satisfy anybody. The space combat is there, and some of the ground action that kept the heart pumping in the previous novel. The blend of the stately dance of space warfare is tactically convincing and well realised; the infantry battles are visceral moments of violence entwined with adrenaline and blood.
It keeps you turning pages, that’s a fact. The characters definitely have the depth and complexity of real people, and they’re working against a well-drawn background to provide a masterful blend of politics, personal drama and hard-hitting military action which kept me looking at the next page, and the next, and the next. So yeah, if you need some more sci-fi military action, this continues to be a breakout series that is absolutely worthy of your attention.