Windswept is Adam Rakunas’s debut novel. It’s a great mix of
high-concept, discussing the roles and realities of labour and struggle in a
spacefaring corporate future, and taut thriller – as our protagonist races
against time to figure out what’s causing the city around her to fall apart,
whilst dodging bullet and trying to find time to stop for a quick drink. It’s a
book which has interesting things to say, and manages to express them
successfully whilst keeping the reader both entertained and intrigued.
The setting is one of the stars of the text. A sprawling
industrial city, divided into districts, most in some way dedicated to refining
sugarcane or distilling rum. Possibly both. The city exists to move the cane,
and an orbital tether is present in the city in order to drive goods into
orbit. It has the raw, vital feeling of somewhere on the cusp of development,
of becoming something great, or declining into a shadow of itself. Rakunas
manages to make his city feel alive – the spattered rum on tabletops, the
housing units made of landed cargo containers, the crash of surf against the
cans of escaping ‘Breaches’…
Breaches, incidentally, is the word used for many of those
living on the planet. In a universe which appears to be largely run by
corporate fiat, and where many people work at interminable indentures for much,
or all, of their lives, these individuals have chosen otherwise, and managed,
somehow, to make their way down from orbit, looking for a better life at the
bottom of the orbital well. They may find it, or at least something like it,
with the Union, fronted by our protagonist – a sprawling labour organisation,
which manages the non-corporate industry of the city. Unsurprisingly, however,
the Union is a complicated place, filled with old rivalries and internecine internal
politics. Rakunas doesn’t elide this, but lets the history between the
protagonist and the remainder of the Union simmer in the background, inferred
from asides in dialogue, or the very structure of the city.
There’s a whole social structure on display here. A sense of
Union members and their time ‘in grade’,
indicating whether they get the best jobs. There’s the hunched, menacing
spectre of the ongoing corporate presence in the city, in the appropriately
named Thronehill. Then there’s the ‘Freeborn’, growing cane outside of the city
limits, out of reach of the constant presence of the network everyone else is
hooked into, independent, and sceptical of both Union and corporate promises.
It’s a society in miniature, and the way it’s been structured makes it make
sense – and it feels like an organic structure, accreted over time, a society
which has been shaped by the people within it.
In that society sits our protagonist. An ex-corporate
high flyer, now serving as a Union recruiter; one whose retirement plan
involves retrieving just a few more Breaches after their escapes. The
wonderfully named Padma Mehta is cynical, self-interested, and always expects
the worst from people. In this, at least, she’s rarely disappointed. Rakunas
manages to bring to life a character who is selfish, but not entirely self
involved – pragmatic enough to be effective, but with enough empathy to be
understandable. She also does a pretty good line in kicking arse, and has some
genuinely witty dialogue.
It’s refreshing to see this approach – one in which the
protagonist, whilst acting within semi (or indeed anti-) heroic constraints,
recognises their own place within a system. Here is no Chosen One, rising up to
overthrow a corrupt government – but a worn down, damaged individual, looking
out for herself, and trying to do the best for those that depend upon her. And
it works, it really does – the reader is drawn into the struggle with Padma, as
her initial situation rapidly gets out of hand.
Ruthless, willing to be
physical, with a penchant for smart remarks and good rum, she’s an absolute
pleasure to read. The supporting cast suffer somewhat by comparison. There’s
some quirky characters in here – the entirely filthy Bloombeck, Padma’s old
neighbour, for example, has the aura of sleaze and incompetence expertly evoked
– but they’re really in the shade of the protagonist. Still, they work well within their roles,
giving Padma people to play off of, argue with, and occasionally punch in the
face, so overall that’s fine.
Plot-wise…well, as ever, I don’t want to get into spoilers.
I will say that Padma’s initial effort to recruit enough ‘Breaches’ into the
Union is quickly subsumed into several
different schemes, all with far larger stakes. The plot ratchets up the
tension early, and releases it every so often in fist fights, boat chases,
shoot-outs…there’s a fair amount of action here. But it’s wrapped around a
narrative core which is startlingly perceptive. One with mysteries at the
centre, which are gradually answered through the course of the text. One which
takes the characters it provides the reader, and slowly tells us more about
them – and there are more than a few surprises.
This melange of fast-paced action, character study, social
study and witty dialogue makes up a thoroughly enjoyable narrative treat – give
it a chance, and it’ll reward your attention.
No comments:
Post a Comment