Titanshade is the debut fantasy-noir novel from Dan Stout.
It certainly has a lot going for it. There’s a city in the centre of an
ice-field, whose economic survival depends on slowly depleting oil reserves.
There’s different species living side by side, with all the socio-cultural tension
which that brings. There’s politicians who have an agenda to promote, and
little care for what damage they’ll do. There’s sorcerors who can bring back
the dead for a bit of a chat. There’s a police force whose members have a
penchant for graft, planting evidence, and applying a swift phonebook to the
side of the head of a problem when an interrogation won’t solve it. Oh, and
there is, of course, a murder
So yeah, there’s a lot going on here. The first thing I have
to say is that, with all of these things going on, there’s a sense of style,
and a vivid sense of place. The style – well, it feels like a blend between the
hard-edged noir of Hammett and Ellroy, and the blurred excesses of an extravagant
Seventies. Wide collars, smart shades and smart mouths are available in equal
measure. The place? The place is Titanshade. It’s a city that sits on the edge
of nowhere. An urban hub nestled against a mountain, with freezing plains in every
direction. A city of rings, each ring a little further out than the last, each
ring a little colder than the last. It’s a city built on a desire to escape
government intrusion – in the far end of nowhere – but also on wealth. This is
an oil town, whose liquid gold has kept the populace in work and in ready cash
for quite some time. You can feel the sense of the past in the prose – in characters
in richly decorated offices, looking out on run-down drill-rigs. In the
neighbourhoods in the city which still hold some of their care and class, but
are just that little bit more decrepit than the year before. This is a city on
the edge of a downturn, hanging on to its former glory by its fingernails. And
the prose gives us that – in the sparkling white of the snow, in the rust and
steel gleam of the oil rigs. In the energy of the populace, warming themselves
in the city’s heart, and in the cool calculation of its leadership. This is a
place which comes alive on the page, which pulls you into its streets and makes
you feel the clamour, the drive, the need to be alive – and the undercurrent
sin the same streets, the darker pulses of the urban heart. Titanshade lives.
Our protagonist in this town is Carter. Carter works
homicide in Titanshade, a place where the dead can be revived to answer awkward
questions (albeit with no guarantee that they’ll be answered), and where
corruption makes sure that inconvenient answers are delicately swept under the
rug, along with the people who found them. Carter hits a lot of familiar notes –
he’s down on his luck, he has a mysterious past, he’s not a completely straight
shooter, but has limits; for all that, they ring true. Carter’s voice is wry,
thoughtful, aware of his position, but determined to do some good despite
himself. The colloquial tone makes for an accessible read, and if Carter isn’t always
the best person, still he’s easy to empathise with.
Watching with Carter’s eyes works especially well when
compared to his partner, who, apart from having mandibles (being from one of
Titanshade’s other resident species), is new to the city. He’s keen to learn,
keen not to mess up, and keen to do the right thing – but far, fasr less keen
to be seen anywhere near Carter. There relationship is a small joy in the text,
as they circle each other, trying to reach a rapprochement through banter, the
odd bite of street-food, and examining the occasional murder scene.
Both, I have to say, manage the tricky feat of feeling
alive, of feeling like people. I felt their successes, their fears, their
victories and defeats. They’re ably supported
by a broader cast of memorable figures – from the down-home oil baron, to the
activists trying to help get sex-workers off the street, to ice-cold political
operatives. There’s a lot going on here, and the people in it have their own
lives and their own agenda.
The plot – well, I shan’t give anything away. It starts with
a murder, which is how Carter finds himself involved. But even as the
investigation is hitting its stride, there are suggestions that there are other
things going on – including politics, blackmail and betrayal. It’s a story whose
central post is a complex murder with many different angles, and the
investigation is both convincing and compelling. You’ll want to know whodunit,
but I, at least, also wanted to know why they dunnit. There’s more than enough
action here to set the pulse racing, and the prose pulls absolutely no punches
in that regard; but there’s a strong emotional centre as well, and a believable
mystery with a strong resolution sat at the heart of the text.
This is a solid debut, giving us a fascinating new world,
some fun characters who feel real, and a story which, I guarantee will keep you
turning pages into the wee hours. Give it a whirl!
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