Patrick S. Tomlinson’s Children of the Divide is the third
in his “Children of a Dead Earth” series. The first gave us a murder mystery on
a generation ship. The second dealt with the crises and opportunities of first
contact and the pitfalls of colonisation as an ethos.
This book takes pointers from both of its predecessors, like
their snappy prose and desire to explore complex, contentious issues in a sci
fi setting, and runs with them. There’s a lot going on here – from mining
helium three, to kidnappings, local acts of violence backdropped against a
larger, fearsome context. But to me, the thing that jumps out about this is
this; it’s about consequences. Specifically, both for the characters and the world,
it’s able to approach how decisions made decades ago are rippling into society
today, and explore the results of those decisions – which are by no means all
positive.
This is a world where humanity is starting again, its
technology streaming down from orbit to spin up a fairy tale colonial city.
There are those who remain orbit, keeping their eyes on the heavens, and those
beneath, slowly expanding the settlement below. But there’s also the indigenous
sentients, divided in cultural conflicts of their own. Some are happy to take
the new arrival’s science, their miracle cures and agricultural tips, and otherwise
let life carry on as it always has. Some stream into the city of humanity,
building their own homes, their own lives, and their own dreams – becoming something
new, escaping the social constraints of time immemorial. Some, of course, would
rather do neither, and see humanity driven from their shores entirely. All of
these are choices, and they come out of those made in earlier books.
But humanity are hardly the white knights of fiction here;
their interactions with the indigenes seem, at best, like benign neglect. There’s
a Native quarter, with echoes of the ghetto about it. There’s not enough law
enforcement officers from the indigene population. The quarter is poorly
supplied with electricity or running water, and there’s a simmering tension
under the surface of inter-species interactions. These are big issues, but they
also come out of those earlier decisions – where humans and indigenes decided
on a non-confrontational relationship – and the unintended consequences, where
a power dynamic has been left unexplored and unchallenged. It’s not the worst
excesses of historical colonialism, but the parallels are there beneath the
surface – the worst impulses of humanity and indigene loitering under their
skins.
At the same time, there are some great symbols of the best
of both species. Our long time hero, Benson, is now older, slower, more
thoughtful. His adopted child, one of the indigenes, is coming of age – feisty,
fearless, and ready to shape the world. Zer friends are, as well – sons,
daughters and other-gendered entities, all stepping from the shadows of their
parents. This is a new generation of protagonists, breaking away from the older
traditions of their parents. Quite what they want to shape the world into – be it
a multicultural society of tolerance, or something else entirely – well, that’s
rather up in the air. It’s fantastic to see this sort of inter-generational
handover though, and it’s very plausibly done. The teenagers, of any species,
are about as insufferable and idealistic as one might expect; but they’re also
a driving force for change, their white hot righteousness making them a
pleasure to read, and their complex, conflicted relationships we’ve spent two
books investing in giving them a depth and context that only deepens that
experience.
It isn’t all ideology and family drama either. For those of
you that like your sci-fi with some explosions, I can safely say you will not
be disappointed. There’s more than a bit of peril, and if there are moments of
violent triumph, or jaw-dropping destruction, the story wants us to know about
the consequences of that violence too. The broader issues are blended perfectly
into some fast-paced action. There’s betrayals, murders, and, yes, explosions –
wrapped around stories about how people treat each other, how things reached
the state that they did, intergenerational conflict and, basically, what
matters to people.
I’ve always said Tomlinson wrote imaginative, interesting
books that more people should read. I’ll say it again now. This is intelligent
science fiction, with interesting thoughts on the broader human condition,
wrapped in an absolutely smashing story. Catch up with the earlier instalments,
then give this a read.
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