Golden Age and Other Stories is a short story collection
from Naomi Novik, all set in her Temeraire universe – set in the Napoleonic
period, with the inclusion of sentient dragons. I’ve really enjoyed Novik’s
efforts recently – her Uprooted, which I reviewed last year, was brilliant. So
this collection had me quite excited as I went into it.
The collection contains several short stories, and a set of ‘drabbles’,
stories of exactly one hundred words. All have accompanying art, which both
sets the mood for the associated story and, to be honest, look rather nice on
the page.
The first story, Volly
Gets a Cow is rather short, tracking Temeraire, the sentient dragon at the
heart of the series, as he attempts to get the notoriously unfocused Volly to
vote for a dragon member of parliament. Volly is uncooperative, mostly because his
attention is focused on his own hunger, and the titular cow. There’s a warmth
to this story, the gentle aggravation of Temeraire trying to nudge others into
doing something they want to do. We only get quick strokes of Volly and his
potential MP here – but enough that their personalities shine through; the
dragon representative is a smidge arrogant and abrasive, Volly wooly-headed
and, well, hungry. But it’s a cheerful comic tale, showcasing the sort of
gentle warmth and humour that sits near the heart of the series, alongside more
serious issues – that dragons should be politically represented is an
interesting turn, and if it’s only lightly touched on here, still suggests an
interesting larger tapestry of events at play.
But it’s not all Temeraire – or if it is, sometimes in a
different context. Planting Season
for example shows us a dragon in the hinterlands of America, after the
convulsions of the Revolution. Here, the dragons acts a bridge between the
Native American and European cultures – shuttling goods from one to the other,
and stepping between the cultures of both. It’s sympathetic and sharply
observed, giving us people on both ends of the trade simply trying their best –
and left me wondering how the counterfactual Americas were getting on after the
fact; the policy of careful integration suggested here is intriguing, and Novik’s
talent for making both colonial-era Boston and the Native American wider spaces
feel colourful and alive is in full force.
Then there’s Golden
Age, which shows us an alternative meeting for Temeraire and his Captain –
the latter sent out to investigate rumours of French piracy, the former,
somewhat accidentally, the cause. The dialogue between Temeraire and the
Captain here evoked something in the tradition of Aubrey Maturin; both coming
to the table as equals, even if one is a naval officer, and the other a
thirty-foot lizard which can breathe fire. Here, it seems like the theme is
acceptance – as what would be Temeraire sleeps warmly on a beach, gathering
treasure and food – and is shocked out of complacency by the arrival of a human
with a loud voice, and a willingness to negotiate.
There’s a sense in which several of the stories work better
if you’re aware of the larger series; it works as a stand-alone collection, but
the context from the wider series helps give it more depth. It was great to see
some of the genesis of Roland, for example – a woman with a fine career ahead
of her, a forceful personality if ever there was one. As presented, the story
of a young woman’s growing into her Captaincy of a dragon, refusing to back
down into social expectations, and leading her crew by strength of will and
main courage is inspiring and delightful. Knowing what she will go on to do in
the broader series gives it the narrative a more complex (but no less pleasant)
flavour.
One story that works as a genuine standalone, and which I
thought was the highlight of the collection, was Dragons and Decorum. Blending the fictional world of Temeraire with
that of Austen, it gives us an Elizabeth Bennett who is a naval officer,
leading a dragon crew. Novik scrupulously matches Austen’s prose style, but
injects her own energy and enthusiasm. Watching an Elizabeth Bennet with agency
approach a nervous Darcy, both still constrained by the customs of manners
embedded in society of the period – well, it’s an absolute delight. I laughed,
several times, and was transported by the evident genuine emotion growing
between the two. Bennett is an active participant here, and all the better for
it. If other stories in the collection are love letters to fans, then I’d say
this one is a paean to the regency novel genre – one which plays with the
conventions of that genre, and produces a fine alloy as a consequence.
The drabbles are fun, leaping across time and space equally,
and providing more insight into the Temerire universe. They’re like short mood
paintings, and after the main repast that is the collection, make an excellent
dessert.
Is it worth buying? Well, if you’re a fan of Temeraire, this
may be the last fiction available in that universe. It’s a diverse collection
of stories, and there’s something for every fan here – it’ll probably reward
your time. If you’ve never read the series before, I’d say it works as a stand
alone – but you owe it to yourself to give the other books a try, as they’ll
make this collection a richer, more complex experience.
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