City of Blades is the sequel to Robert Jackson Bennett’s critically
acclaimed City of Stairs. I reviewed
City of Stairs at the end of last year, and have to say it thoroughly deserved
all of the praise that it received. That meant I went into City of Blades with
high expectations – and honestly, I think they were met.
This time, we’re off to another city on the same Continent
as before. Where the City of Stairs was a broken mess of confusion and a hotbed
of insurrection, the new locale has a different feel. The shattered remnants of
a port city, most of which was sustained by the local divinity, and now exists
under water, are being slowly brought back to health through government
reconstruction efforts. This thread of rebuilding, of revivification, sits
within the centre of the narrative. Because whilst the city if being rebuilt,
there are always individuals who would rather turn back the clock, or rebuild
to their own design.
Alongside the broken urbs
, Voortyashtan also has a surrounding countryside, filled with clans more
than a little hostile to occupying Saypuri forces. Bennett uses this as an
opportunity to explore the tensions between the urban and the country, as well
as between the governing and the governed. The broader geography also enhances
the feeling of claustrophobia, as the Saypuri fort up in their…er...fort,
whilst contractors begin tearing a new life into the city landscape around
them. .
Mind you, the setting isn’t all that the book encompasses,
but it’s a vivid, living thing. A city wracked with tensions, in a countryside
with several more. The City of Blades is alive – in some cases, rather
unfortunately so. It’s a convincing construction, and this world of ruined
divinity and fragile humanity is a treasure.
In part, this is because of the characters it encourages. We’re
reunited with the restrained violence of the taciturn General Mulaghesh for
this narrative. The tone is distinct from that of the preceding volume. No less
reflective, but drawn to different approaches, different modes of thinking
obvious in action. Mulaghesh is given more room to grow here – the reader
learns a fair bit about her past, and about the price that she’s paid, and is
still paying, for the position that she occupies – and about the rights and
duties that a person can impose upon themselves. Alongside the reluctant
Mulaghesh are a whole swathe of new and diverting characters. I was
particularly partial to her interactions with an old commanding officer – both having
served in an apparently ignominious period of warfare years before the time
period of the book. She’s prickly, but in some ways seeking approval and
understanding, whilst he seems to have that knowledge, but is perhaps unable to
use it for a purpose – a smooth talking individual with an iron-cast sense of
rightness.
There are others of course. For example, the existence of a Chief
Technological Officer for the contractors restructuring Voortyashtan is a
marvellous commentary on the shift in society compared to that of City of
Stairs – but also gives us a view on a woman filled with focus, with
resentment, with talent and drive, and with a need to see her goals
fulfilled. Bennett builds characters
that aren’t just the sum of their parts, but have the sort of deep
contradictions and frailties which define humanit. It makes for deeply
frustrating, but absolutely compelling reading. The descriptions Bennett uses are a startling,
rich portrayal of the best and worst of humanity.
I won’t get into the plot too much, for fear of spoilers.
Mulaghesh is sent to (well, strong-armed into) the City of Blades to search for
a missing Saypuri operative. As is traditional, this quickly becomes more than
it appears to be. Suffice it to say that Bennett packs in quite a lot of change
between the pages, and that it’s all
extremely difficult to put down. There’s
some seriously high stakes in play, and the pace, once it gets going is
absolutely relentless. Bennett also does a superlative job at blending the
character concerns with those of the wider world, giving the reader a stake in
both the epic and the personal. It works beautifully, and you’re left with
marvellously believable, complex characters in a world which is both broken and
evolving – with choices to be made about exactly what sort of world it will end
up being.
Is it worth reading? As a stand alone, it’s a beautiful,
complex book, with a lot of things to say about people, and the ways in which
they treat each other, about occupation, about rebuilding, on a social and a
personal level, and about the efficacy of gunfire when applied to a god. As part of the broader sweep of the series,
it’s a very worthy sequel, and one I enjoyed immensely. It’s a book not afraid
to talk in subtext and implications, or to explore larger issues whilst also
deploying an intriguing plot. It’s stunningly intelligent, unashamedly genuine,
and a thoroughly enjoyable read. I’d say, if you’ve read the first volume in
the series, you owe it to yourself to go and read this, right now.
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