The Iron Ship is a startling debut. It’s full of nuanced
characters and complex relationship dynamics, in a world which is made entirely
believable through some very effective prose The story draws on this set of
complex characters and believable world to create a very compelling narrative.
I went in not knowing what to expect, and have to admit that I was absolutely
blown away.
Starting from the top, then, the world. This is a previously
Tolkien-esque world, filled with magic, disturbing supernatural creatures, fallen
empires, gods, hereditary nobility, the living dead – all the trappings one
might expect f an epic fantasy. But it’s also a world on the cusp of
industrialisation. New money is shattering the old elites. Some of the more
human-esque creatures operate in society as semi-indentured labour. Gods are
cast down and, at least in some cases, forgotten. The living dead are occasionally used as
manpower. It’s a world in the liminal
space between the old world and the new.
This does lead to a bit of culture
shock for the reader, as they are relentlessly moved between locations, each
more fantastical than the last, and introduced to a sprawling cast of
characters. The world is speckled with marvellously bizarre creations – a castle
built on stone that floats, situated in the middle of the sea. A fort perched
on the edge of a defile, made entirely of armoured glass. A ragged necropolis
used for the rites of summoning the unquiet dead. The descriptions are baroque,
filled with incidental detail, building an entirely believable milieu for the
reader. Everything feels like a blend of high fantasy and the Victorian era,
but that’s underselling it – McKinley has created a genuinely special setting
here.
Alongside the setting are the characters. The narrative
largely centres around five sibling members of the same family, as each fills
their own social role. There’s a lot of introductory detail here. Each sibling
gets their own viewpoint, and each feels like they have a unique voice – the tormented
playwright, the sister driven to become an industrialist, the disgraced
military officer, all feel distinct from each other, each with their own
agenda, their own needs. McKinley does however also introduce a common strand
to their characters – each stands beside the others as family. There’s an
unflinching examination of family dynamics, of the small cruelties and blazing arguments
that tear families apart or bring them together, and it’s done with a keen eye
for how a large family works.
Alongside this main character set are a whole pool of supporting cast members. Again, the reader is rather barraged with names and descriptions, but as the story continues, and the characters begin to fill their roles, it becomes easier to keep a handle on who’s who. McKinley really has created a vast world here, populated by individuals who, even mentioned in passing, feel like people (if not humans, per se).
The plot is scattered across all the different locations
brought up in the setting; the typical focus on each of the sibling characters
means that the reader has some focus, some desire to see characters succeed or
fail. They’re opposed, at various points, by petty villains, institutional
bureaucracy, sabotage, angry gods, and downright creepy supernatural occurrences.
Whilst the plot is interesting enough,
it really feels like this book is building up toward a denoument in other books
of the series.
As a whole, it feels like an interesting, and at times even
compulsive narrative, but it is slowly paced, perhaps deliberately slow, and occasionally loses momentum. On the other
hand, when firing on all cylinders, the struggle to, for example, build and
launch the iron ship of the title makes for extremely compulsive reading. There’s
a lot of politics and discussion heavy plot if you enjoy that sort of thing,
and a fair few bloody and often deeply strange battle scenes if those are your
preference. The plot feels like it’s going somewhere, but I don’t think we’re
there yet. That said, the reader is effectively immersed in the world over the course
of this book, and it makes for fascinating reading.
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