Murderbot is back! And it's about time. This series has been a runaway success, and I must admit that in my view it's entirely deserved. I've been champing at the bit for a new Murderbot novel since, well, since about a day after the release of the last one. And, well, here it is. Is it any good? Dear reader, the answer is an unmitigated yes. If you're a fan, and up to date with the series: Go out and pick this one up right away. If you're not: Go and read the rest of the series, then go out and pick this one up right away.
Now that that's out of the way.
Murderbot, eh? It's a fantastic protagonist, a fish out of water that isn't entirely sure whether it wants to be in the water or invest in some sort of aquatic environmental suit. Murderbot doesn't know exactly what it is, but it knows it isn't an AI, or a robot, or a human. But it's also determined to be a person, on its own terms, with an ethical framework spun up from first principles, with the help of sci-fi space operas and rather a lot of sarcasm. And it's going well, between ups and downs, corporate takeovers, hostile alien assimilations and the odd drone-battle, Murderbot is figuring itself out. But there's a lot to unpack there - and this is a story about how Murderbot isn't alright, actually, and how that's okay. Because after everything its seen and done, Murderbot is having to handle some fairly impressive trauma...but also keep people alive, and do all kinds of heroics, when it would clearly much rather be watching its shows.
One of the strong points of the series has been the way it delves into emotion, into how and why we feel the way we do. Approaching the idea that it's okay not to be okay, Wells wraps it in a panacea of banter and explosive action, but the raw, emotional honesty of Murderbot remains. It's digging around to figure out what it is, and why it doesn't feel right. And as readers, we can live that struggle, empathise with that pain, cheer on that discovery and, perhaps, recovery. This is a book which talks about isolation, about depression, about identity and that sense of belonging (or not). And it hurts to read and think about and empathise over, but it also feels true.
That said. Don't worry if the above isn't entirely your cup of tea. Because we aren't entirely here to unpick Murderbot's psyche. We're also here to save the world. Well, a world, anyway. Because Murderbot and its friends are currently far out on a limb, trying to dig a colony of hapless people out of the alien-contaminated soup they got themselves into, while fending off the ever helpful efforts of a rapacious interstellar corporation, which isn't entirely above bringing in a squad of bots of its own, to help things go the way it wants. You can always rely on this series to poke fun at corporate culture in service of painting a dystopian corporate future, and it does so with all the grace and lethality of a stiletto between the ribs. The planet itself, the claustrophobic tunnels packed with wary colonists and alien remnants that might be time-bombs, is familiar from earlier in the series, but no less well realised for that; the cramped habitats and dusty, wayward tram tracks into looming darkness remain as ominously mundane as ever. Murderbot's world is a plausible one, a lived in one, one you may see in your minds eye a year or ten from now. A warning to us, and possibly a promise.
As for the story, well. Absolutely stellar. This is a thoughtful, action-packed story about people, and also humans. And it has a heart to it, and an emotional weight and gravitas that you can feel *searing* into you off the back of every page.
And it has the banter you're looking for, maybe. And it has the snark. But it also has points to make about corporations and how we choose to live our lives while we try and make good choices. And about the agency we have to make choices. And it explores consequences and it hurts and it'll jerk tears and pain right out of you by being a story about a sarcastic Murderbot which is also real and raw and true and painful and vulnerable in its honesty.
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