City of Stairs came out last year, to broad acclaim. The
sequel, City of Blades, is out soon, so I thought I’d better catch up before
release.
The titular City of Stairs is in fact the shattered and
reconstructed remnants of a far larger city, a conurbation formed by divine agency, a meeting place for
followers of various divine faiths on a continent. Then those gods were killed.
The city lost touch with parts of itself formed by divine will, and contracted,
leaving sections which had never met before merged together, and larger
sections missing. It’s a city of survivors, familiar with the backlash of the
demise of the divine. Those who killed the gods, and caused this catastrophe,
now rule the city. Former colonists and slaves, without a divinity of their
own, they threw off oppression to become unlikely conquerors – and now rule the
continent in all but name, through economic sanction, through diplomatic
pressure, and through a small but effective arm of covert operatives.
The author’s refusal
to bend the complexity of the setting is part of what makes City of Stairs
wonderful. The straits of the Continentals we see in the city are still fairly
dire, even a great deal of time after their stealthy occupation. It’s a
wonderful portrait of a city in transition, from conquered province to junior partner
– but our sympathy for those oppressed is matched by the knowledge of how they
got that way. Their opposite numbers, descendants of island slaves, have a
certain sympathy for that – but their efforts to retain their control of their
old masters results in actions which it’s harder to go along with. It’s a world
which is swathed in conflicts and contradictions. Between religious and
secular. Nationalism and integration. Past and future. And the balance of those
elements is something that Bennett does perfectly. The narrative serves in
part, as a fulcrum that may move the world, a little, even as it shows it to
us. There’s a nuanced view here, behind every interaction and every emotional
and physical impact – the world is a complex, breathing, and above all,
ambiguous place.
This ambiguity is emphasised by the characters with it. Our
main view is provided by an "operative" from outside the continent, sent to
investigate a murder. She begins the narrative filled with a certain amount of
doubt, a kind of raw emotional wounding, and a weary, cynical calculation which
wouldn’t be out of place in a novel of the cold war. Bennett has crafted an
agent, a spy, and done so with a deftness which is, honestly, breathtaking.
There’s some excellent shifts in character here too – slowly, our protagonists’s
past is revealed, andit carries an honest equilibrium of hurt and joy. Watching this torn, threatened person
struggle with their convictions, especially as they negin to break down in the
face of a new reality, is fascinating, agonising, and carries a fair amount of
human truth.
There’s some excellent supporting cast as well – the similarly
torn ex-lover of our protagonist, whose love of country and desire to improve
it runs afoul of the social laws that define part of his identity. There’s the
bodyguard, the killer without conscience, per se, but with a raw depth of
feeling visible through the page. And an assortment of others, whose
appearances, if brief, feel plausible because the author makes them so. I’m not
sure I’d want to meet several of these people in a dark alley – there’s far too
much time spent on the calculus of violence for that – but they do have a
feeling of being people.
The narrative crescendo near the close was emotionally
exhausting, but utterly, terrifyingly delightful – and the dénouement, touching
and heart-wringing. It kept me guessing all of the way through, either because
the characters knew more than the reader, but weren’t talking, or the
characters knew less than, or as much as the reader, and were identically
baffled. The narrative isn’t afraid to go big, either – it knocks around an
entire city, on the one hand, but also uses that period to talk about attitudes
to colonialism, religion, and social issues. There’s a lot of great stuff in
here, and it’s approached with a care and focus which makes it an interesting,
fulfilling read, as well as an enthralling one. If that sounds like something
you might enjoy – this one’s absolutely worth picking up.
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